Saturday, February 9, 2008

The Midside: S4E02 Confirmed Dead

Hey, I know you just got back and want to see all you friends again, but you need to meet these four people first. No, no, I know you miss your friends. I know you haven’t seen them in like eight months. But that’s the point, it’s eight months. If you waited that long, you can wait another week or so, right? I mean, these people are really really important. You need to meet them. I promise.

One of my friends said it best last night. The quote isn’t exact, but she her statement was something like, “I’m unsure about the episode. There was Dan and Miles and Charlotte and Frank. Ok. Next episode.” I have to admit to sort of feeling the same way. Can we watch LOST now?

I don’t mean to come off as so critical though. We are watching LOST. In a way, what’s happened with the first two episodes of this season is the beauty of the show. It’s always evolving. It never stays in one storytelling technique (well besides the “flashes”, which I’ll get to later). For example, if the narrator didn’t say “Previously on LOST” at the beginning of the episode, I would have thought I was watching the Discovery Channel or something. I even made a “Are we watching Cloverfield?” joke because of the first person perspective and the voice talking from behind the camera.

It’s also important to be fair to the story. As much as we like to fool ourselves in the internet era, the writers are in control of the story and they tell it the way that they believe is best to tell it. I remind us all of that fact because of a statement Lindelof made concerning the current season and the strike. Basically, he said that the first eight episodes (which are already filmed) set up a lot of questions and the last episodes (which have yet to be filmed) answer those questions. Well, I can say the following: I have a lot of questions, so the show is succeeding so far. Let’s see what happens from here on out.

Oh, by the way, ask me what the black smoke is.

I don’t know!

(Look, I’m like Ben now.)

MAYBE IT’S NOT ABOUT THE ANSWERS. MAYBE IT’S ABOUT THE CHARACTERS.

To be honest, the title for this segment seems a little inappropriate this week. Sure, we didn’t get any answers, and we got four new characters. The problem is, however, that we don’t know any of those characters very well. The point of the statement is to put the emphasis on the characters and not the answers when watching the show. Well, when you do such a thing, you want to really feel like you know the characters. Know the characters like, you know, we did in the first season. I will admit though, it’s interesting how the writers have flipped everything and made our characters The Others and the new characters like the original Survivors. It’s almost as if the writers are assuming we already know our characters, so they don’t feel the need to treat them with the same depth. It would be like having a deep conversation three years into a relationship with a good friend. You already know what they’re going to say. So then, let’s have deep conversations about the four new characters.

First, there’s Daniel. Obviously, he’s a little off. He reminds me a bit of Charlie and Liam when they were on drugs. Whether that comparison is intentional or not on the part of the writers, who knows, but I’d guess not. What’s important to consider is if he’s off because he’s hiding something from our characters or because he’s simply a little off. There is certainly evidence for all of these new characters hiding something, but in the case of Dan, I just think he’s a little weird. He seems like one of those nice guys that isn’t quite comfortable in his own skin because he’s had to live under everyone’s thumb his whole life. Look at the way he cried when the “wreckage” of 815 was found; and he even admitted that he didn’t know why he was crying. That response is not normal. Come to think of it, do we even know what the guy is good at? Why was he picked to go on the mission? I can’t even remember, which either speaks to my memory or the writing.

Second, there’s Miles. He’s the most interesting character out of the four for me, and not because he’s a ghost buster. His profession is certainly part of his appeal, but it’s how he went about it that was so interesting. The dust buster was utterly amusing. Then, the way he made his money was just so LOST-like. He stole the drug money, but left the cocaine hidden to protect the grandma, and he gave her “half off” on his “reading” or whatever it was. Yeah, sure, he’s a jerk, but he has a heart. He demonstrated guilt (giving her some money back) for what he did to the grandma and consideration towards her (hiding the cocaine). Although, it could be argued he wasn’t very considerate, because if the police ever search her house, that’s possession. Why would they search her house though? Well, she does live in IngleWOOD. Finally, I enjoyed how he referred to Naomi’s body as just meet. It made his character well rounded.

Third, there’s Charlotte. I don’t like her. I also don’t dislike her. Pretty much the only opinion I have about her is that I feel sorry that she got stuck with Locke’s group. Now she has to deal with two crazies (Locke and Ben) and an angry (Sawyer). A lot of good her anthropological talents will do her with those three. Which, by the way, in her flashback scene, I couldn’t help but think of Indiana Jones. She’s like the female version of him. Now, where’s Short Round (or at the very least Shia Labeouf)?

Finally, there’s Frank. Frank is a drunk and should have been the pilot on 815, but circumstances intervened. I have to admit, when he explained that turn of events, it reminded me of 9/11 and all the stories of people who were almost on the plane, but lucked out. Regardless, I thought his flashback was the most compelling. I enjoyed the person on the other end of the phone asking who he was and how he wasn’t dumb enough to say his name at first. He was, however, dumb enough to reveal who he was eventually (which may have been how he ended up on this mission, something I’ll return to later).

What intrigued me the most about this week’s flashes was how infrequent they were. By my count, there was only five. I honestly don’t know the average number of flashes per episode (what, something about LOST I don’t know?), but it would certainly be interesting if someone calculated that number and compared it against five. To me it felt like there was a low number of flashes this episode and it makes me think the writers are struggling against their own form. At the end of the last season, I wondered if the flash forwards were a response to running out of flash back stories to tell. Now I’m starting to wonder if the whole flashes technique has run its course. What I used to love about the flashes was how their stories always ran parallel to the island story. I suppose you could argue this one did too though. As a character was found, we found out why they acted the way they did. I guess maybe I’m just bucking against the episode’s video game-esque plot. “Find all your companions quickly as the tracking device signals that they have jumped from the helicopter to the plane.”

THE REST OF THE TRIBE

There’s really not much to say regarding everyone else this week. Only a few of our characters were featured. I do have a couple of observations though.

How has Kate not punched Jack in the face yet? There seems to be this aura of them working together, but it always seems as if Jack just disagrees with whatever she suggests, no matter how strong the idea. I make this observation because of when she was trying to get the gun away from Dan. Yes, he knew more about the situation than Kate, but when she asked him for an explanation, all he said was that he winked, as if that somehow made everything ok.

While I’m talking about that scene, do you think Jack realizes the irony of that scene? Do you think he realizes that he had become Mr. Friendly? At first, I thought he was just using the Mr. Friendly gambit as a bluff, but when Sayid fired the shot, I realized it was the full blown version. I’m willing to bet that Jack is too much of a douchebag to realize the fact that he’s become everything he has hated and backed against for three seasons. Then Juliet came in and Kate suddenly because the third wheel. I imaged someone saying “awkward” in the exact intonation with which it’s trendy to say that word now-a-days.

Ben continued his plot propelling purpose in this episode, which I suppose is necessary to retain some respectability for the character. Otherwise, he simply has taken Boone’s place as the universe’s punching bag. Besides saying stupid things, he has been lead around like a dog. It’s certainly an interesting role reversal even though his character has sort of become two dimensional. For the record, I’m predicting that Ben’s man on the boat is Michael. One of my friends said it at the end of the episode and it just makes too much sense.

I’m really glad Sawyer went with Locke. He’s the only person who can hold him accountable for his manipulative douchebaggery. Everyone else is either too easily molded or too afraid of Locke to speak up. Being a con man himself, Sawyer is immune to both Locke and Ben’s chattering. He also understands one very important thing, which is why he beat the crap out of Ben this episode. When someone talks that much about crap, you don’t treat them with decency. They aren’t treating you with decency. So, he does the only logical thing. He beats the crap out of him.

Oh yeah, Desmond fans, my apologies to you. Apparently if things aren’t flashing before his eyes, he’s of no use. Here’s hoping he does something interesting soon, like time travel. Yeah, that’s right, I said it.

LOSTOLOGY

The most interesting addition to LOST mythology this week is the seeming confirmation of the conspiracy. The scene with the black guy and Naomi (whose name I only know how to spell because Van Wilder told me that it’s “I moan” backwards) basically made it so that guy is the face of the conspiracy. We also know now that Naomi was in on it, or was at least middle management and knew a fair amount of information. We can also figure out, or speculate, a couple other things from this scene.

If the four people on the mission (and maybe the people on the boat too) were handpicked by the conspiracy for a specific purpose each, did the conspiracy hand pick people on 815 for a specific purpose too? How big is the conspiracy? Did they simply only pick the group of four or did they pick 815 too and subsequently picked the group of four to further the purpose of 815? I think the answer to the size of the conspiracy exists in one character.

I really wish Penelope would come back. We see her sparingly, but her importance is continually hinted at. Now I want to know why middle management Naomi had the picture of her and Desmond. Is it a coincidence and the two are just friends? But Penelope asked Charlie who Naomi was. Does Penelope know about the conspiracy then and it’s fighting back by trying to use Desmond against her? This whole scenario has gotten much less supernatural and more political. But if the show isn’t supernatural, how do you explain Miles talking to the dead drug deal in IngleWOOD and talking to dead Naomi? I guess it’s a little of both. Isn’t it always?

The other interesting development is how Locke seemed to be shocked that Hurley saw Jacob’s cabin…and in a different location than Locke seemed to see it. Character who have seemingly had a communion with Jacob seem to think it makes them special, but what if Jacob just manipulates people that fit his purposes the way the conspiracy manipulates people that their purpose? Jacob takes Jack’s dad’s form (or is Jack’s dad), right? The conspiracy is symbolized through a black guy, right? Two players, one light, one dark…

FREDDY ADIEU

-When I woke up this morning and read the news, I found an article that apparently said the writers’ strike is coming to an end. An apparent deal has been struck. Considering that five episodes of LOST are still left to air, I have high hopes that, if this news story is true, we can watch Season Four seamlessly. The best scenario I can think of is that the writers wrote some scripts, but simply did not send them to the network or into production. If I thought God cared about something as petty as LOST, I’d pray. But I don’t, so I won’t.

-From now on, this column will be cross posted on my blog at http://themidside.blogspot.com. You can also find no-LOST related posts by me in that blog, mainly movie reviews, but a few other topics as well.

As always, until next week, remember:

Shut up, you’re wrong. (It’s why comments are disabled on this site now.)

Jayemel can be reached by email at jmlesniewski@gmail.com.

Saturday, February 2, 2008

The Midside: S4E01 The Beginning of the End

A cynical fan might say that the title of the season four premiere of LOST is indeed true. “LOST is dying!” he would exclaim. “It has become a shell of itself. It’s like Scrubs in its later seasons! No one cares about JD anymore!” From the heights of the internets (or is it depths?), he would bellow his call in hopes that someone heard it and bestowed upon him the attention he so obviously deserved.

I am no such fan. I love LOST and always will, no matter what. Well, maybe if they kill Sawyer for some reason stupid reason like saving squirrels, or if they completely vindicate Jack, I’ll conjure some contempt for the show. However, those events will never happen. The writers have already proven they are way too skilled to do something so stupid (or something even close to that stupid). Instead, my love for LOST remains and we journey on into The Midside.

I’m not saying this episode was perfect. It was a bit of a disappointment from the first hour on. The commercials led me to believe the episode would be two hours. Rather, we were greeted with a recrap (that I admittedly didn’t watch) and a single hour episode. A few of the characterizations also felt a bit off. Truthfully though, it’s impossible to know whether I thought these things because I’ve built the return of LOST up in my mind or because I’ve been removed from it for so long or some other such reason. After all, this show is meant to be watched in rapid succession. It’s why anyone who borrows my DVDs instantly becomes hooked. Which reminds me, I am about to convert another fan and spread the disease even further here. Regardless of any shortcomings, LOST is always of strong quality and there is always something to discuss. And discuss is what we do here in The Midside.

It’s good to be back.

MAYBE IT’S NOT ABOUT THE ANSWERS. MAYBE IT’S ABOUT THE CHARACTERS.

The most memorable part of this episode’s flash forward is arguably the opening to it. There were about three twists in the opening few minutes. First, we were lead to believe the episode was opening on the island through a close up shot of a pile of fruit (coconuts?). Then, a Dukes of Hazzard-esque car busted through, literally smashing our initial assumption of the setting. Then, as the car sped off, the picture shifted to a man’s hand pouring juice. Who is it? Who is it! Oh, he’s pouring vodka. It must be Jack. A pan up revealed the guess to be true and a breath is let out. Another season, another Jack beginning, which presumably needs another Jack ending. But wait! Jack looked back at the TV and the camera pushed in. The car, the car is driven by the main character. The car is stopped and the man climbed out, leading with his pudgy hands. There is only one man who could have such pudgy hands and his curly hair followed, Hugo “Hurley” Reyes.

The most intriguing part of the episode was that getting off the island also did not help alleviate Hurley’s problems. In fact, that series of events apparently had the exact same effect on Hurley that it did on Jack. It exacerbated his faults. Once again, Hurley is having visions of people who aren’t really there (and aren’t even really alive). He even ended up back in the same asylum. Although, I do have to admit, I was disappointed that Leonard was no longer to play Connect Four with him. I wonder if we’ll ever find out about him or if we’re just supposed to assume that he died while locked up. I certainly don’t think he was ever healed. The other option, of course, is that he was acting, and I don’t even want to address that option. It opens up way too doors.

Here is the first point where I think the episode faltered a bit. Ok, Hurley was off the island and he was crazy. Got it. What else was there in the flash forward? I don’t think there was anything. I mean, there were certainly a lot of expositional mystery things. A lot of new questions were raised (I’ll address those questions later). But in the way of character arc and single shot story development, the flash forward was sorely lacking. Then again, the same could be said of last year’s season premiere as well. Ok, Jack is a drunk and doesn’t like his Dad. Got it. The true strength of that episode wasn’t revealed until last year’s season finale and the mirror images between the two could be observed. I’d say the same possibility exists for this episode as well, but the writers’ strike has severely inhibited my ability to look at anything past the eight episodes that have already been filmed.

The one other interesting element of Hurley’s flash forward was his apparent inability to let Charlie’s death go. I understand that Charlie was his closest friend on the island to die. Well, as I write that sentence I recall and immediately debate my own claim. Was Hurley closer to Libby or Charlie? Regardless of that answer, my point becomes even stronger. Why was Hurley not able to get past Charlie’s death? Why was it so significant? My initial answer to that question is that his death was the event that cause the infamous split which is the event Hurley attributes his guilt to, as evidenced by his apology to Jack on the basketball court. I’d also be willing to be it’s the event that Jack attributes his guilt to as well. Which leads me to believe John Locke is in the coffin. Alright, I’m going to end this paragraph and section before it degenerates into the wild speculation that is currently flashing through my brain.

THE REST OF THE TRIBE

This episode felt like one where the writers were trying to fit every character in that they possibly good. In that way, it felt more like a season finale than a season premiere. Season finales are all about letting everyone see their favorite character before the show takes a summer long break, or, in LOST’s case, an even longer break. So, because of the extra long break, the writers may have felt obligated to give everyone a little camera time. Well, everyone except Alex and Karl that is. I don’t even think they had one line. It sucks if you’re a fan of them.

Besides the break, I understand why every character made an appearance. The writers needed to explain why each person chose the side they did. But, I still don’t even remember what side everyone took. Most notably, I have no recollection of Desmond choosing a side or being shown on a side the way Sayid was. Instinctively though, I would have to guess that he was on Locke’s side, considering the whole “Not Penny’s Boat” thing. Although, someone is going to have to explain to me why the people not being sent by Penny automatically makes them evil. Is it because Naomi had a copy of Catch 22 with a picture of Desmond and Penny in it? Couldn’t there have been any number of reasons she had that picture? What if she was personally hired by Penny and Penny had no idea she was on her way to an island to find Desmond? What if she coincidentally found the book with the picture somewhere or just the picture somewhere? I mean, come on, we’re watching LOST.

Sawyer was a little too nice in this episode. What was with his consoling of Hurley? The only person he has ever consoled is Kate. Now all of a sudden he cares about other people? Well, I guess he has always cared about everyone, and Hurley is the closest thing he has to a best friend on the island. I can understand why he acted the way he did. He has been trying to reach out to people since Ana Lucia died really. I guess what was missing was his biting sarcasm and aggressive tone. I really hope he doesn’t become the Ethan or Goodwin of Locke’s band of Others.

Jack was up to his usual antics. The guy has really gone off the deep end completely. My favorite Jack-ism of the night is how he made Rousseau lead Ben around on a leash because he doesn’t trust Ben with anyone but himself. Yes Jack, you’re the only one on the entire island who knows that Ben is a manipulative douchebag and can resist him. Speaking of manipulative douchebags, it’s a bit of a shock to me that Jack was going to shoot Locke so easily, but it was hilarious that the gun wasn’t loading. Everyone kept one-upping Jack in this episode.

Ben was by far the funniest character of the episode. I kind of like him when he’s tied up and can’t cause any harm. The situation allows him to express his intelligence without any danger of him using it to take over the world. Really, he just became the role I’ve wanted to have for all of LOST. He followed Jack around and mocked all the stupid things the doctor said and did. I’m not saying Ben is a good leader or someone I would follow, but he knows why Jack sucks. Unfortunately, Ben chose Locke’s side, so this new dynamic with Jack will seemingly disappear. Although, I have to admit, I am most interested in the Ben-Rousseau dynamic. They are like the incredibly dysfunctional parents of Alex. Their relationship has the potential for so much awesomeness.

While I’m considering characters that seemed a bit off, what was the deal with Kate? Yes, she controlled Jack most of the episode and finally embarrassed him like he so deserves for perpetually treating her like crap, but she treated Naomi a little too kindly, if you ask me, which you are because you’re reading this column. Maybe it’s just because she wants off the island ASAP. I don’t know. That explanation is probably sufficient. I guess something about that scene didn’t ring true to me. Maybe it was just the fact that Naomi died for a second time. I will say the following though: this episode was much better on a second viewing and gets a lot better the more I think about it.

A bunch of other characters made appearances as well. Jin and Sun renewed their loved. Rose and Bernard remained the sweet old couple. Claire, of course, played an important role in the mourning over Charlie’s death, which, by the way, I thought was handled very well. I thought it was probably the best part about the episode. Heck, Charlie even made an appearance, and, I have to say, he was much more badass than he ever was when he was alive. If I knew that dying was all it took for me to like him, I would have been advocating his demise much earlier in the series than when the rumors began last season. Hopefully, and I can’t even believe I’m writing this statement, we’ll see more of him in the remaining episodes of the series. Come on, you know it’ll happen. We’re guaranteed to see Boone again now too.

LOSTOLOGY

Speaking of seeing the dead again, my inclination is that Jacob takes over dead bodies on the island and acts as the people in order to manipulate the still living. Ms. Hawking from Desmond’s time travel experience may even be a dead old woman. Think about it. Locke saw Boone in his vision question. Jack’s dad walked around in White Rabbit all the way back in season one. The location of Jack’s dad’s body is one of the greatest mysteries of the show and it may have been solved, which leads me to my conclusion that Jacob controls dead bodies. Look carefully at the guest stars for this episode. John Terry is listed. Now, look closely at the guy sitting in the chair in Jacob’s house. It was clearly John Terry. Do I believe that Jack’s dad is Jacob? No. I can’t. It would make little sense. It makes much more sense that Jacob is controlling Jack’s dad’s body. As for the eye that popped up and viewed Hurley through the hole in Jacob’s door, it was probably Locke. I’d imagine that after Walt found him (hmm), he went back to Jacob’s and became the new Ben.

What’s most interesting to me in the mythology of LOST in this episode is the introduction of the phrase “The Oceanic Six”. Who are they? What assumptions are the writers trying to make us make regarding who gets off the island? The most obvious is that only six people get off the island. I would like to caution away from that assumption. Desmond wasn’t on the plane. Juliet wasn’t on the plane. Then again, the media is incredibly and sensationalistic and loves to give nicknames for people even if they don’t make sense, so I wouldn’t be surprised if someone not from the flight gets off the island and they get roped into “The Oceanic Six” simply because the media is filled with dumbasses. But, for the record, I think “The Oceanic Six” will be Jack, Kate, Sawyer, Hurley, Jin, and Sun, but Desmond and Juliet will also get off the island. I’m not so sure about the other original Others, but I would not be surprised to see Alex and Karl leave either. The rest of them are at the temple, so I’ll leave them be for now.

The other looming question seems to revolve around the secret. What is it? Why does it drive Hurley to guilt and inevitably Jack? The initial reaction seems to be that only The Oceanic Six survived. However, two comments fly in the face of that assumption. First off, the creepy black guy who visited Hurley asked if they were safe or something. I think they’re definitely still alive. Second off, Charlie told Hurley he knew what he had to do to help them. The question now becomes: who are they? I think they are the people who stayed on the island and they’re trying to accomplish something, who knows what it is. Jacob is trying to get everyone back to the island, and that creepy black dude is part of an organization that is trying to figure out what the island is (still), maybe the group that Dharma was before Ben killed them all.

The interesting reaction to reconsider with this new knowledge is Kate’s in Through the Looking Glass. It seemed like she didn’t feel guilty about getting off the island and didn’t want to go back. But, in this episode Jack seemed to feel that way too. Will there be a future fast forward where Kate transitions into guilt too? Then again, I don’t think Kate feels guilt or remorse very often. Think of everything she’s done in her life and ask yourself if she’s a person who feels a lot of sympathy. She’s essentially a sociopath…

FREDDY ADIEU

-I was disappointed with The Missing Pieces special feature over the break. Some of it was done okay, but most of it felt cheesy and unnecessary. I enjoyed things like seeing Frogurt (and hope to see him in the series), but didn’t like how the writers tried to use some of the “pieces” to answer dumb challenges by fans who either can’t suspend their disbelief or refuse to in order to seem intelligent or analytical.

-If you haven’t yet, go see Cloverfield. I say this to you because you’re a LOST fan and probably a fan of JJ Abrams. It’s an incredible movie. It’s even written by Drew Goddard who wrote such episodes as Outlaws and The Man Behind the Curtain. It’s LOST-tastic.

-From now on, this column will be cross posted on my blog at http://themidside.blogspot.com. You can also find no-LOST related posts by me in that blog, mainly movie reviews, but a few other topics as well.

It’s nice to be back and, as always, if you disagree with that statement or anything written here remember:

Shut up, you’re wrong.

Jayemel can be reached by email at jmlesniewski@gmail.com.

Monday, January 21, 2008

The "City Guys" theme song.

Back in the day when Saved By The Bell was insanely popular, NBC ran a block of shows on Saturday morning called "TNBC". One of those shows was called "City Guys". It was a Saved By The Bell style show about an inner city show. Basically, the cast contained more "diversity" than other shows of it time featuring three black people (one being the female principal) and an asian guy named Al. By comparison, there were only three white regulars on the show, a blonde girl, a brunette girl, and a guy. In other words, the show took place in the "inner city" because there was only white guy.

A couple of the cast members have reasonably successful careers. Wesley Jonathan was one of three regulars on all four seasons of What I Like About You (the other two being Amanda Bynes and Jenny Garth). Marcella Lowery guest starred on Law & Order and her episodes always seem to be on TV (even though she was only in like four). She also played Donovan McNabb's mother in the Campbell's Chunky Soup commercials. Otherwise, the show was pretty marginal and forgettable besides being a childhood memory of mine. Well, except for the theme song.

Ever since I first saw the show, I've found myself wandering around mumbling "C-I-T-Y you can see why these guys", the opening lyrics to the theme song, but never completing the rest. My lack of recall of the entire song bugged me for awhile before I decided that I had more important things to worry about. However, in today's world, I enjoy worrying about unimportant things and have downloaded the theme song and (through e-research) have deciphered the entirety of the lyrics.

The City Guys Theme Song

http://www.sitcomsonline.com/sounds/cityguys.wav

C-I-T-Y you can see why
these guys, the neat guys, smart and streetwise. (x2)

City Guys pose those looks in street clothes.
It's all good coming from city people.
They're all the same, open up your eyes.
Roll with the City Guys.

C-I-T-Y you can see why
these guys, the neat guys, smart and streetwise. (x2)

Check the class from school to the playground.
You'll make it there if you just stay 'round
the right crowd. Come on, sign it loud.
Roll with the City Guys.

C-I-T-Y you can see why
these guys, the neat guys, smart and streetwise. (x2)

City wide
roll with the City Guys. (x4)